This article puts together a series of best practices for when it comes time for the turnover for sound, particularly as it applies to larger film and television projects. The less time I spend dealing with turnover issues, the more time I can devote to making a project sound amazing. I t is particularly crucial to establish this workflow with your sound editor well before postproduction starts.Īs a sound editor and re-recording mixer for television and film, it is often my responsibility to interface with the picture department to make sure I get what I need to do my job properly.
With workflows getting more complex and post-production schedules getting tighter, it is more important than ever to have a clear and well-thought-out sound workflow in place.
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